Films & Videos

Full Versions of Video Productions referenced in Images and Sounds

Full length versions of Films and Videos referenced in the text

Goodbye Jimmy Lavender

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The Poet’s Mistress

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DRs Kulturarvsprojekt

From Udder to Doorstep

Awaiting digitisation

Short extracts from these Films and Videos were used in Audiovisual Annotations as Audiovisual References


Chapter 1

Extract for annotation Shapes in Space comes from Francis Ford Coppola’s film Koyaanisqatsi

Extract for annotation Time and Timing comes from Charlie Chaplin’s film Modern Times

Extract for annotation Combining Shapes in Space comes from Sergio Leone’s film Once Upon A Time In The West


Chapter 2

Extract for annotation Synopsis of Cathy Come Home comes from Ken loach’s television drama Cathy Come Home

Extract for annotation Extracts from Wyoming comes from Siobhan Davies’s dance video Wyoming

Extract for annotation Avant Garde Theatre comes from John McGrath’s televised version of his play The Cheviot, the Stag and the Black, Black Oil

Extract for annotation Physical Theatre comes from a video recording of Tadeusz Kantor’s The Dead Class

Extract for annotation Shakespeare’s Theatre comes from Richard Eyre’s BBC television series, Changing Stages


Chapter 3

Extract for annotation Long shots and Close ups, Fades and Irises comes from D. W. Griffith’s film Intolerance

Extract for annotation Camera Angles and Movements comes from Fritz Lang’s film Metropolis, Sergei Eisenstein’s film Battleship Potemkin, and Vsevolod Pudovkin’s film Mother

Extract for annotation Superimposition in Film comes from Jean Epstein’s film Fall of the House of Usher

Extract for annotation Early Special Effects comes from Fritz Lang’s film Metropolis

Extract for annotation Gances Camera Movement comes from Abel Gance’s film Un Grand Amour De Beethoven

Extract for annotation Montage comes from Eisenstein’s film Battleship Potemkin

Extract for annotation Experimentation with Symbols and Emotions comes from Fritz Lang’s film Metropolis

Extract for annotation Early Documentary come from Flaherty’s film Nanook of the North

Extract for annotation Cinema Verite comes from Edgar Morin’s and Jean Rouch’s film Chroniques d’un ete

Extract for annotation Introducing Technicolor comes from Victor Fleming’s film The Wizard of Oz

Extract for annotation Experimentation with Colour and Emotions comes from Victor Fleming’s film Gone with the Wind

Extract for annotation Arrival of Sound to Silent Film comes from Abel Gance’s film Un Grand Amour De Beethoven

Extract for annotation Television Police Series comes from British television drama serials Dixon of Dock Green, Z Cars, and The Bill


Chapter 4

Extracts for all annotations come from the film The Univited (Leslie Grantham) by Zenith Productions for Independent Television Company (ITV)


Chapter 8

The annotation Creative Partnerships: Exciting Minds is a complete film by independent filmmaker Eelyn Lee. She made other films for the Creative Partnerships Programme – Beyond the Hood and Lessons in Learning


Chapter 9

The annotation The Internet comes from:

  • Code.org: What is the internet? Available on YouTube

Extracts for annotation Virtual Reality comes from Ancient Invisible Cities BBC2 Series 1-3 Istanbul

  • Available on the BBC

The annotation Reimagining Learning comes from:

The annotation The Arts in Education comes from:

  • Twin Cities PBS: Arts & the Mind in Education. Available on YouTube
  • Ryan Chen: Why the Arts? Available on YouTube
  • Sir Ken Robinson: Changing Paradigms. Available at www.ted.com
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